George Korsmit
George Korsmit painted on the wall of the rear space at W139 this summer an intoxicating episode of painting’s highest aspirations: to realise a field of infinite perception. A surface where the gaze of the viewer has total freedom yet still hungry to go on exploring: ‘Nobody’s out, we’re all in here’
The corners of a grid and the colours used to fill it in are decided within specific parameters by throwing dice and selecting colour samples blindfold. What results has a similar effect to gazing into a log fire: searching (as the eye always does) for shapes and patterns.
back to overview artists